Please welcome Kat Henry Doran to Bea's Book Nook today. She's touring various blogs, talking about her new release. "Mad Dog and Archangel" (see my review here).
Over the years she's had the honor to work at a number of occupations: nurse, malpractice insurance investigator, forensic examiner, victim advocate, wife and mother.
Even if she sometimes wishes they'd remain in the closet, the years that she spent in the OR and labor floor, and later advocating for victims of sexual violence, contributes significantly to the voice of her writing. You don’t spend thirty years serving as loyal hand-maiden and mind reader for egotistical surgeons, then twelve years haunting police stations, Emergency Rooms, and criminal courts without developing an internal alarm system for overt misogyny, rampant apathy, and overwhelming bigotry.
She retired her stethoscope and speculum a few years ago but continues to advocate, quietly, for marginalized populations through Amnesty International and Doctors Without Borders.
Kat likes hearing from readers. You can contact her through her website: www.KatHenry.com, or blog: www.WildWomanAuthor.blogspot.com
Kat will give one random commenter from the entire tour, a Funky Bag and a Toiletries Bag from Kats Kustom KarryAlls, US and Canada only, sorry. The more you comment, the better your chance of winning. The tour dates can be found here: http://goddessfishpromotions.
Thank you Kat, for taking the time to sit down and talk to us today.
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Are Challenging Characters Easier or Harder to Write?
For me, the challenge in writing evil characters lays with keeping them realistic without going over the edge and turn them into caricatures. I find this challenge a great deal more fun to write. In turn, I have equally as much fun describing the after-effects of what the 'bad actors' inflict on their victims.
As an example, in my first full-length novel, “Captain Marvelous”, six women are brutally murdered, then dumped along an interstate like last week's trash. The hero, a New York State Trooper, is assigned to investigate the murders. Assisting him is the local physician's assistant because of her experience working with victims of torture. I didn't want to show the murders on camera, but did have the hero and heroine viewing morgue photos which demonstrated distinct patterns of abuse which in turn helped to identify some of the perpetrators.
In my second novel, “Try Just Once More”, I wanted to create a series of events which were at first crossed off as circumstance or accidents but in reality were carefully planned attempts to murder an entire family one by one. The evil-doer is never scene on camera until the bitter end and his motive is something people don't immediately put at the top of their list as reasons to kill. The heroine's revenge on this person was a lot of fun and made me laugh out loud. I hope it works for readers who are new to my books!
I never thought I'd be able to write short fiction but I proved myself wrong in “Raising Kane”, part of the Out of the Dark anthology for the Wild Rose Press. I had spent a number of years working as an advocate for victims of sexual violence so those men who fear and loathe women, and the way they act out, were not foreign to me. Taking a real life event, a Take Back the Night march, I had the fictional protestors stop in front of a bar and lounge, the scene of a recent gang rape. Patrons of said establishment take offense at remarks made by some of the marchers and a riot ensues. The police arrive too late to prevent the majority of injuries and arrest everyone still standing, leaving the sorting out to God. The heroine, an investigative reporter, is assigned to cover the march and is arrested for being in the wrong place and the wrong time. The hero, the police department's Public Information Officer [read: spinmeister], is charged with putting a positive spin on the actions of the cops and make peace with innocent bystanders forced to spend a night in jail. I had a lot of fun writing the scene in the holding cell where other inmates discover the the heroine's background which contributes significantly to the conflict between her and the hero.
