I have a brief Q&A with author M.J. Rose today. M.J. Rose grew up in New York City mostly in the labyrinthine galleries of the Metropolitan Museum, the dark tunnels and lush gardens of Central Park and reading her mother's favorite books before she was allowed. She believes mystery and magic are all around us but we are too often too busy to notice... Books that exaggerate mystery and magic draw attention to it and remind us to look for it and revel in it.
Rose is a the Co-President and founding member of International Thriller Writers and the founder of the first marketing company for authors: AuthorBuzz. She runs the blog, Museum of Mysteries.
In 1998, her first novel Lip Service was the first e-book and the first self-published novel chosen by the LiteraryGuild/Doubleday Book Club as well as the first e-book to go on to be published by a mainstream New York publishing house.
Rose has been profiled in Time magazine, Forbes, The New York Times, Business 2.0, Working Woman, Newsweek, and New York Magazine.
She has appeared on The Today Show, Fox News, The Jim Lehrer NewsHour, and features on her have appeared in dozens of magazines and newspapers in the U.S. and abroad, including USAToday, Stern, L'Official, Poets and Writers, and Publishers Weekly.
Rose graduated from Syracuse University and spent the '80s in advertising. She was the Creative Director of Rosenfeld Sirowitz and Lawson and she has a commercial in the Museum of Modern Art in NYC.
Find MJ Online:
1. Why were you drawn to the 1890 period in Paris?
Belle Epoch Paris was a mélange of many different styles of art and poetry and philosophies. The old guard still ran the salons. Impressionism battled for wall space with symbolism. Cults sprang up around occultism, spiritism and inspired artists and writers. All that diversity fascinated me. I spent a long time at the Gustav Moreau museum, looking not just at his masterpieces, but examining the hundreds of sketches hidden away. I searched out art nouveau buildings and visited museums to look at the work of the Nabis whose name itself which came from the Hebrew word for “prophet,” evoked both their mysticism and determination to develop a new artistic language.
2. What inspired this book?
I was in Paris and visited an exhibition of a late sixteenth century female painter, Artemisia Gentileschi. She was a rarity and anomaly: A woman artist who succeeded despite enduring so much. While there was no suggestion she dabbled in the occult, her resilience and determination inspired me to create a woman named La Lune, a sixteenth century courtesan, the muse of a great artist who becomes a great artist herself.
While she isn’t the main character in the book, she is at its heart. It’s her descendant, Sandrine, who three hundred years later, comes to Paris and has to overcome society’s rules and mores in order to live out her passions — as a woman and an artist.
3. Art plays an important part in The Witch of Painted Sorrows— did you ever study painting?
Yes. I was six when I took my first art class. It was at the Metropolitan Museum of Art in New York City. And I’ve never stopped studying or wanting to be painter. When I visit a city the first place I go to is the museum. I am more at home looking at paintings and sculpture than doing anything including reading. Of every subject I am always drawn first to art and artists.
4. Why are you interested in the occult?
Being interested in and writing about the mystical and magical is in my blood. My great grandmother, who was French, hailed from a long line of Jewish gypsies. Grandma Berger read cards and used a crystal ball for decades to tell fortunes. She was the one who gave me a Ouija board when I was ten.
As I grew up my great grandmother’s card and crystal ball readings continued as did my interest in the paranormal and spiritual. Shortly before she died, and left me her own magical crystal ball, my great grandmother tried to save my life.
I was nineteen, and studying painting at Syracuse University. One morning Grandma Berger called my mother. In an urgent voice, she told my mother that I was going to be in a fire that afternoon and she needed to warn me.
My mother called, told me what Grandma Berger had said and asked me please, wherever I went that day, to stay near an exit.
I did. But nothing happened.
Or so I thought.
At nine that night my boyfriend, who went to Cornell, called. He sounded terribly shook up. His apartment had burned down that afternoon. He was all right, but all his clothes, books and records were destroyed.
And along with them fifteen canvases I had painted.
Through my paintings, I had indeed been in a fire.
5. Name one place in Paris that Sandrine visits that readers can visit still.
Café de Flores
Café de Flore opened its doors at 172 Boulevard Saint-Germain in 1885 and has been one of the best people-watching cafes in Paris ever since. It’s not only one of the oldest but one of the most prestigious coffeehouses in Paris. Even though it’s next door neighbor is Les Deux Magots, frequented by Jean-Paul Sartre, Simone de Beauvoir, Albert Camus, and others, Flore is the more prestigious and less touristy of the cafés. It’s worth waiting for a table on the terrace but the art deco interior with its red seating, mahogany and mirrors transports you back in time to pre-World War II. They also serve one of the best fromage and jambon omelets that can be had in Paris.
Possession. Power. Passion. New York Times bestselling novelist M. J. Rose creates her most provocative and magical spellbinder yet in this gothic novel set against the lavish spectacle of 1890s Belle Époque Paris.
Sandrine Salome flees New York for her grandmother’s Paris mansion to escape her dangerous husband, but what she finds there is even more menacing. The house, famous for its lavish art collection and elegant salons, is mysteriously closed up. Although her grandmother insists it’s dangerous for Sandrine to visit, she defies her and meets Julien Duplessi, a mesmerizing young architect. Together they explore the hidden night world of Paris, the forbidden occult underground and Sandrine’s deepest desires.
Among the bohemians and the demi-monde, Sandrine discovers her erotic nature as a lover and painter. Then darker influences threaten—her cold and cruel husband is tracking her down and something sinister is taking hold, changing Sandrine, altering her. She’s become possessed by La Lune: A witch, a legend, and a sixteenth-century courtesan, who opens up her life to a darkness that may become a gift or a curse.
This is Sandrine’s “wild night of the soul,” her odyssey in the magnificent city of Paris, of art, love, and witchery.
Publisher: Atria Books
Series: The Daughters of La Lune #1
Format: hardcover, ebook, audio
Release Date: March 17, 2015
Buying Links: Amazon* | Book Depository* | ARe* | Barnes & Noble
* affiliate links; the blog receives a small commission from purchases made through these links.